{"id":4549,"date":"2013-10-16T19:07:21","date_gmt":"2013-10-16T19:07:21","guid":{"rendered":"https:\/\/www.verba.lv\/collections\/"},"modified":"2021-03-22T08:54:24","modified_gmt":"2021-03-22T08:54:24","slug":"kolekcijas","status":"publish","type":"page","link":"https:\/\/www.verba.lv\/lv\/kolekcijas\/","title":{"rendered":"Kolekcijas"},"content":{"rendered":"
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VERBA<\/strong><\/p>\n

VERBA <\/span>\u2013 (no lat\u012b\u0146u <\/span>“v\u0101rdi<\/strong>“) ir galvenais iedvesmas avots, t\u0101d\u0113\u013c katra rota nes k\u0101du lat\u012b\u0146u v\u0101rdu vai fr\u0101zi. <\/span>Lat\u012b\u0146u valoda ar saviem dzi\u013cajiem un lakoniskajiem izteiksmes l\u012bdzek\u013ciem veido savdab\u012bgu kodu bezgal\u012bgaj\u0101 zi\u0146ojumu pl\u016bsm\u0101, kas non\u0101k l\u012bdz mums iekalti gredzenos, auskaros, bro\u0161\u0101s…<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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TERES<\/strong><\/p>\n

TERES (no lat\u012b\u0146u \u201enoapa\u013cots<\/strong>\u201d) ir rotas ar akme\u0146iem, kas ir ar k\u0101 pa\u0161a oke\u0101na pul\u0113tiem seniem v\u0113st\u012bjumiem, r\u016bp\u012bgi izskalotiem krast\u0101 un gataviem padar\u012bt laim\u012bgu katru vi\u0146u atrad\u0113ju. Lat\u012b\u0146u fr\u0101zes atkl\u0101j katras rotas \u012bpa\u0161o noz\u012bmi\u00a0 – mazus nosl\u0113pumus, uzrakst\u012btus zem natur\u0101lo ametistu, akvamar\u012bnu, top\u0101zu un kalnu krist\u0101lu virsm\u0101m.<\/span><\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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URSIS<\/strong><\/p>\n

Par vienu no z\u012bmola viz\u012btkart\u0113m ir k\u013cuvusi kolekcija URSIS. Mazie pl\u012b\u0161a l\u0101\u010di k\u013cuvu\u0161i par visu iem\u012b\u013cotiem cilv\u0113ces draugiem, negaidot k\u013c\u016bstot par p\u0113cte\u010diem senam l\u0101\u010da kultam, kas eksist\u0113jis daudz\u0101m taut\u0101m pag\u0101tn\u0113.\u00a0<\/span>Kolekcija URSIS (no lat\u012b\u0146u “l\u0101\u010di<\/strong>“) ir apburo\u0161i l\u0101\u010du t\u0113li, ar kuru pal\u012bdz\u012bbu m\u0113s varam d\u0101vin\u0101t savas j\u016btas tuvajiem, atg\u0101din\u0101t sev par ko svar\u012bgu, priec\u0101ties un g\u016bt atbalstu.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>

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SPLENDOR<\/strong><\/p>\n

Tikai reizi gad\u0101 rotu z\u012bmols Verba noliek mal\u0101 vienm\u0113r m\u012bl\u0113tos kaba\u0161ona formas\u00a0<\/span>akme\u0146us un piev\u0113r\u0161as mirdzo\u0161ajiem daudz\u0161\u0137aut\u0146u kalnu krist\u0101liem, top\u0101ziem, ametistiem un turmal\u012bniem. Tas notiek tie\u0161i t\u0101p\u0113c, lai sagaidot pirmo sniegu m\u0113s var\u0113tu iemirdz\u0113ties kop\u0101 pateicoties rotu kolekcijai SPLENDOR (no lat\u012b\u0146u valodas “sp\u012bdums, t\u012br\u012bba, burv\u012bgums, skaistums<\/strong>“).<\/span>\u00a0K\u0101 vienm\u0113r, katru izstr\u0101d\u0101jumu rot\u0101 k\u0101da\u00a0<\/span>lat\u012b\u0146u fr\u0101ze vai nov\u0113l\u0113jums, kuru patiesums sp\u0113j padar\u012bt katru akmeni par mazliet ma\u0123isku krist\u0101lu, kas k\u0101 mirdzo\u0161a sniegp\u0101rsla nolai\u017eas mums tie\u0161i rok\u0101s. Tikai t\u0101 neizk\u016bst, bet ilgi priec\u0113 ar savu gaismu sp\u0113li, atg\u0101dinot par br\u012bnumu.<\/span><\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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COMPOSITIO<\/strong><\/p>\n

“Tic\u012bba, cer\u012bba, m\u012blest\u012bba; bet liel\u0101k\u0101 no t\u0101m ir m\u012blest\u012bba” \u2013 ar \u0161o cit\u0101tu no P\u0101vila 1. v\u0113stules Korintie\u0161iem z\u012bmols VERBA uzs\u0101k jaunu rotu l\u012bniju ar nosaukumu COMPOSITIO (no lat\u012b\u0146u valodas “apvieno\u0161ana<\/strong>“). Katru \u0161\u012bs kolekcijas gredzenu var valk\u0101t ne tikai patst\u0101v\u012bgi, bet ar\u012b \u0113rti kombin\u0113t sav\u0101 starp\u0101, veidojot katra pa\u0161a person\u012bgo akordu no kr\u0101sainiem akme\u0146iem, idej\u0101m un j\u0113dzieniem.\u00a0<\/span>Tic\u012bbu simboliz\u0113 caursp\u012bd\u012bgs kalnu krist\u0101ls, cer\u012bbu \u2013 roz\u0101 kvarcs, bet m\u012blest\u012bbu \u2013 sarkans turmal\u012bns.<\/span><\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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RES<\/strong><\/p>\n

Katrs dizaina elements, kur\u0161 atrodams kolekcij\u0101\u00a0<\/span>RES (no lat\u012b\u0146u valodas \u201cpriek\u0161meti<\/strong>\u201c)<\/span> at\u0161\u0137iras ar ask\u0113tisku minim\u0101lismu. Dizaineres galvenais iedvesmas avots ir fr\u0101zes un v\u0113l\u0113jumi lat\u012b\u0146u valod\u0101, kas atdz\u012bvina ant\u012bko trad\u012bciju par ikdieni\u0161\u0137u priek\u0161metu dekor\u0113\u0161anu ar iedvesmojo\u0161iem tekstiem. Kolekcija apvieno vienk\u0101r\u0161u un ikdieni\u0161\u0137u interjera elementu kopumu ar gaum\u012bgu dizainu, kuru veidojusi z\u012bmola dizainere Anna Fanigina. Taj\u0101 ietilpst ar rok\u0101m darin\u0101tas \u016bdens gl\u0101zes, sudraba gr\u0101matz\u012bmes un karotes, kas atspogu\u013co z\u012bmola galveno ideju par dizainu ar t\u012br\u0101m l\u012bnij\u0101m, nenom\u0101cot katra priek\u0161meta praktisko pielietojumu.<\/span><\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>

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SAKURA<\/strong><\/p>\n

Kolekcija SAKURA velt\u012bta ik pavasari ziedo\u0161ajiem sakuras kokiem. Katrs \u0161\u012bs kolekcijas gredzens ir k\u0101 ziedlapa v\u0113j\u0101, kas nes v\u0113st\u012bjumu lat\u012b\u0146u, sengrie\u0137u vai jap\u0101\u0146u valod\u0101 un, glu\u017ei k\u0101 senaj\u0101 jap\u0101\u0146u miera un harmonijas metafor\u0101 \u4e07\u91cc\u540c\u98a8 (\u201ct\u016bksto\u0161 j\u016bd\u017eu viens v\u0113j\u0161<\/strong>\u201d jap\u0101\u0146u valod\u0101), apvieno da\u017e\u0101das kult\u016bras un laikmetus!<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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ANALEMMA<\/strong><\/p>\n

ANALEMMA<\/span>\u00a0(\u201cpamats<\/strong>\u201d, grie\u0137u valod\u0101) \u2014 t\u0101 ir apbr\u012bnojama fig\u016bra, l\u012bdz\u012bga bezgal\u012bbas z\u012bmei, ko debes\u012bs rada saules disks viena gada garum\u0101, ja to v\u0113ro no viena un t\u0101 pa\u0161a punkta un vien\u0101 un taj\u0101 pa\u0161\u0101 laik\u0101. Analemmas saules diski, kas tiek \u201cprojec\u0113ti\u201d uz gredzeniem, k\u013c\u016bst par maz\u0101m personisk\u0101m saul\u0113m, kas izgaismo to valk\u0101t\u0101ju ikdienu.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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\u03bd\u03b5\u1ff6\u03bd \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2<\/strong><\/p>\n

Gredzenu kolekcija \u03bd\u03b5\u1ff6\u03bd \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2 (\u201cku\u0123u saraksts<\/strong>\u201d sengrie\u0137u valod\u0101) ir velt\u012bjums Sen\u0101s Grie\u0137ijas kult\u016brai, ar v\u0113lmi sajust t\u0101s atsauces m\u016bsdien\u0101s gan tie\u0161\u0101, gan p\u0101rnest\u0101 noz\u012bm\u0113. Kolekcij\u0101, k\u0101 simboli nelieliem ku\u0123iem, ir sudraba un elektra (zelta un sudraba sakaus\u0113juma) gredzeni, kas var aizce\u013cot ar jums un palikt uz rokas k\u0101 ce\u013cabiedrs ikdienas prieku un r\u016bpju vi\u013c\u0146os.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>

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REGICIDE<\/strong><\/p>\n

Special collection for fashion designer Lena Lumelsky. Collection REGICIDE<\/strong> is made in memory of six queens and princesses from different times in history, who were murdered: Anna Boleyn, Lady Jane Grey, Mary Stuart, Marie Antoinette, Sisi Elisabeth of Austria and Anastasia Romanova.\u00a0Jewelry collection is inspired by letters, written not long before their death. Almost accidental words, written by hand of each of them, engraved on glass or silver, give us the possibility to \u201chear\u201d this farewell whisper: love expression, parting words to dear ones, kisses, message about last presents, thoughts about eternal life.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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BIBLIOTECA VENEZIANA<\/strong><\/p>\n

BIBLIOTECA VENEZIANA (“ven\u0113cie\u0161u bibliot\u0113ka<\/strong>” it\u0101\u013cu valod\u0101) ir kolekcija, kur\u0101 uz klasiskajiem z\u012bmola VERBA rotu dizainiem par\u0101d\u0101s dzejas un prozas cit\u0101ti fran\u010du, ang\u013cu, krievu, it\u0101\u013cu un sp\u0101\u0146u valod\u0101s. V\u0101rdi, kas velt\u012bti \u0161ai pils\u0113tai. Paldies par pal\u012bdz\u012bbu kolekcijas rad\u012b\u0161an\u0101 dizainere saka: Marcel Proust, \u0418\u0432\u0430\u043d \u0411\u0443\u043d\u0438\u043d, Paul Morand, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u0413\u0443\u043c\u0438\u043b\u0435\u0432, Thomas Mann, \u0418\u043e\u0441\u0438\u0444 \u0411\u0440\u043e\u0434\u0441\u043a\u0438\u0439, Henry Wadsworth, \u0410\u043d\u043d\u0430 \u0410\u0445\u043c\u0430\u0442\u043e\u0432\u0430, Lord Bayron, Jorge Luis Borges un daudziem citiem.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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TANGERE<\/strong><\/p>\n

Rotu kolekcijas TANGERE (“tango<\/strong>” lat\u012b\u0146u valod\u0101) ideja radusies pateicoties z\u012bmola dizaineres Annas Faniginas ilggad\u0113jai aizraut\u012bbai ar tango. Caursp\u012bd\u012bgie kalnu krist\u0101li ir k\u0101 dejas patiesuma atspulgs, tum\u0161ie rauhtop\u0101zi simboliz\u0113 koncentr\u0113\u0161anos, roz\u0101 kvarci ieskic\u0113 maigumu un visa pamats jeb m\u012blest\u012bba ir k\u0101 sarkanv\u012bns pies\u0101tin\u0101tie gran\u0101ti.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n\n\t

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\n\t\t\t\n\t\t<\/div> \n\t<\/div> \n<\/div>\n","protected":false},"excerpt":{"rendered":"VERBA VERBA \u2013 (no lat\u012b\u0146u \"v\u0101rdi\") ir galvenais iedvesmas avots, t\u0101d\u0113\u013c katra rota nes k\u0101du lat\u012b\u0146u v\u0101rdu vai fr\u0101zi. Lat\u012b\u0146u valoda ar saviem dzi\u013cajiem un lakoniskajiem izteiksmes l\u012bdzek\u013ciem veido savdab\u012bgu kodu bezgal\u012bgaj\u0101 zi\u0146ojumu pl\u016bsm\u0101, kas non\u0101k l\u012bdz mums iekalti gredzenos, auskaros, bro\u0161\u0101s... TERES TERES (no lat\u012b\u0146u \u201enoapa\u013cots\u201d) ir rotas ar akme\u0146iem, kas ir ar k\u0101 [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false},"aioseo_notices":[],"jetpack_shortlink":"https:\/\/wp.me\/P41l5H-1bn","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages\/4549"}],"collection":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/comments?post=4549"}],"version-history":[{"count":49,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages\/4549\/revisions"}],"predecessor-version":[{"id":7883,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages\/4549\/revisions\/7883"}],"wp:attachment":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/media?parent=4549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}