{"id":6744,"date":"2013-10-22T21:11:16","date_gmt":"2013-10-22T21:11:16","guid":{"rendered":"https:\/\/www.verba.lv\/exhibitions\/"},"modified":"2021-10-26T14:15:43","modified_gmt":"2021-10-26T14:15:43","slug":"izstades","status":"publish","type":"page","link":"https:\/\/www.verba.lv\/lv\/izstades\/","title":{"rendered":"IZST\u0100DES"},"content":{"rendered":"
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DIENASGR\u0100MATA\/DIARY, 2021<\/strong><\/p>\n

\"anna-fanigina-rotu-makslas-biedriba-capre-diem\"<\/a><\/p>\n

Latvijas Rotu biedr\u012bbas izst\u0101de “Dienasgr\u0101mata”, kurai z\u012bmola VERBA dizainere Anna Fanigina ir rad\u012bjusi \u012bpa\u0161u gredzenu kolekciju CAPRE DIEM (lat. “\u0137er dienu”). Pati m\u0101ksliniece st\u0101sta: \u201cPar manas “dienasgr\u0101matas” varo\u0146iem ir k\u013cuvu\u0161i putni, tos v\u0113roju no dz\u012bvok\u013ca loga katru dienu, pierakstu, ja atlido k\u0101ds \u012bpa\u0161s, l\u012bdz \u0161im neredz\u0113ts putns. Man\u0101 sarakst\u0101 ir jau gandr\u012bz 30 putnu veidi. \u201cNov\u0113rojumu dienasgr\u0101mata\u201d jau skolas laik\u0101 bija mana aizrau\u0161an\u0101s, un iepriek\u0161\u0113jais gads mudin\u0101ja pie t\u0101s atgriezties. Kolekcija CARPE DIEM ir ar\u012b velt\u012bjums dienasgr\u0101matas izcelsmei k\u0101 \u017eanram, kas radies Jap\u0101n\u0101 11. gadsimt\u0101 un tikai v\u0113l\u0101k non\u0101cis \u0136\u012bn\u0101 un Eirop\u0101. \u0160is \u017eanrs ir radies ne tikai cilv\u0113ka individualit\u0101tes att\u012bst\u012bbas iespaid\u0101, bet ar\u012b pateicoties t\u0101du ierastu priek\u0161metu izgudro\u0161anai k\u0101 pap\u012brs un pulkste\u0146i. Katrs kolekcijas gredzens ir sava veida putns-burtn\u012bca, kas atg\u0101dina par ikkatras dienas v\u0113rt\u012bgumu un par to, ka dz\u012bve ir gaisto\u0161a. \u0422as d\u0101vina valk\u0101t\u0101jam sp\u0101rnus un vieglumu, aicin\u0101dams aizpild\u012bt lappuses un \u201cno\u0137ert zvirbuli aiz astes\u201d<\/em>. Projekts “Dienasgr\u0101mata” ir 19 rotu m\u0101kslinieku jaun\u0101ko autordarbu fiks\u0113\u0161ana video un foto form\u0101tos, kur\u0101 rotu m\u0101kslinieki pied\u0101v\u0101 skat\u012bt\u0101jiem savas dienasgr\u0101matu lappuses \u012bpa\u0161i \u0161im projektam rad\u012bt\u0101s rot\u0101s, caur kur\u0101m mekl\u0113t paties\u012bbu, sajust kop\u012bbas saj\u016btu un rast jaunas interpret\u0101cijas. Projekta ietvaros notiks ce\u013cojo\u0161a izst\u0101de ar norises viet\u0101m Valmier\u0101 un Kuld\u012bg\u0101 un norises laiku vair\u0101ku m\u0113ne\u0161u garum\u0101. Izst\u0101de Kuld\u012bg\u0101 bija apskat\u0101ma l\u012bdz 10.oktobrim.<\/p>\n

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Z\u012aME\/MARK, 2020<\/strong><\/p>\n

\"verba-rothko-brooche-3\"<\/a><\/p>\n

Kolekcija no tr\u012bs piespraud\u0113m PRIMUS, SECUNDUS, TERTIUS, tika r\u0101d\u012bta Latvijas Rotu m\u0101kslas biedr\u012bbas izst\u0101dei Z\u012aME\/MARK, kas notika Rotko centr\u0101 Daugavpil\u012b 2020. gad\u0101 no 8. febru\u0101ra l\u012bdz 12. apr\u012blim. Rotas ir veidotas no sudraba, bet par galveno izteiksmes l\u012bdzekli \u0161eit k\u013cuvusi sp\u0113le starp dab\u012bgo un m\u0101ksl\u012bgo materi\u0101lu – organisko stiklu un pusd\u0101rgakme\u0146iem, starp kuriem at\u0161\u0137ir\u012bbu s\u0101kum\u0101 ir gr\u016bti paman\u012bt. Kas \u0161eit ir roz\u0101 kvarcs, akvamar\u012bns, citr\u012bns, un kas – kr\u0101sains plastik\u0101ts, nav nemaz tik viegli noteikt. M\u0101ksliniece izmanto Pompeju fresku kr\u0101su paleti, izv\u0113loties spektra vismaig\u0101kos un visgai\u0161\u0101kos to\u0146us. Seno civiliz\u0101ciju kult\u016bras un it \u012bpa\u0161i ant\u012bkie sienu gleznojumi, kas bija pamata v\u0113rt\u012bba Marka Rotko m\u0101ksl\u0101, ar\u012b Annai Faniginai\u00a0 ir nemain\u012bgs iedvesmas avots. “Kad es sa\u0146\u0113mu iel\u016bgumu piedal\u012bties izst\u0101d\u0113 Marka Rotko “z\u012bm\u0113”, es s\u0101ku p\u0113t\u012bt vi\u0146a dz\u012bvi un dai\u013cradi, lai atrastu saskarsmes punktus, un \u0101tri sapratu, cik \u013coti noz\u012bm\u012bga vi\u0146am bijusi ant\u012bk\u0101 m\u0101ksla. T\u0101 \u013coti daudz noz\u012bm\u0113 ar\u012b man. Es katru gadu piedalos arheolo\u0123iskaj\u0101s eksped\u012bcij\u0101s pie Pompej\u0101m, un man ir unik\u0101la iesp\u0113ja “komunic\u0113t” ar romie\u0161u fresk\u0101m bez starpniekiem. Kop\u0101 ar restauratoriem, vair\u0101ku dienu garum\u0101 saudz\u012bgi att\u012brot romie\u0161u sienu virsmas, pieskaroties t\u0101m, nov\u0113rt\u0113 fresku \u012bpa\u0161o kolor\u012btu, veido\u0161anas tehnikas neatrisin\u0101tos nosl\u0113pumus, \u00a0laika atst\u0101tos traipus, kas piedod t\u0101m v\u0113l liel\u0101ku m\u0101ksliniecisku v\u0113rt\u012bbu, un iem\u012blies \u0161aj\u0101s sien\u0101s uz m\u016b\u017eu.” Tr\u012bs taisnst\u016bra formas piespraudes ar maig\u0101m, noapa\u013cot\u0101m kont\u016br\u0101m k\u0101 nelieli, izgriezti fragmenti no simbolisk\u0101m sien\u0101m atkl\u0101j \u0161\u012bs sen\u0101s m\u012blest\u012bbas p\u0113das, k\u0101 ar\u012b pateic\u012bbu Markam Rotko par v\u0113l vienu iesp\u0113ju iedzi\u013cin\u0101ties kr\u0101s\u0101s, smelties taj\u0101s gaismu un sp\u0113ku.<\/p>\n

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\u03bc\u03b5\u03bb\u03b1\u03b9\u03bd\u1ff6\u03bd \u03bd\u03b5\u1ff6\u03bd \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2 (“Melno ku\u0123u saraksts” sengrie\u0137u valod\u0101), 2020<\/b><\/p>\n

\"verba-goodwood-gondola-wooden-brooch1\"<\/a><\/p>\n

Bro\u0161u kolekcija tika rad\u012bta speci\u0101li projektam GOODWOOD. T\u0101 jaun\u0101k\u0101 izst\u0101de tiks atkl\u0101ta Sanktp\u0113terburg\u0101 7.febru\u0101r\u012b galerij\u0101 “\u0410\u043c\u0431\u0430\u0440 \u0411\u0443\u0440\u0436\u0443\u0430”. \u0160eit nav nejau\u0161u l\u012bniju \u2014\u00a0\u00a0aiz katra izliekuma ir matem\u0101tiska formula, katr\u0101 l\u012bkn\u0113 ergonomikas un \u016bdens kust\u012bbas likumi. Koka fragmenti, kas tiek izmantoti rot\u0101s, ir ku\u0123u b\u016bv\u0113tav\u0101 \u012bpa\u0161i atlas\u012bti c\u0113lkoku atgriezumi (goba, \u0137irsis, klin\u0161u ozols), ko izmanto gondolu b\u016bvniec\u012bb\u0101 Ven\u0113cij\u0101. Katr\u0101 no t\u0101m, k\u0101 maz\u0101 \u016bdens l\u0101s\u0113, atspogu\u013cojas \u0123eometrija un \u0161o laivu elegance. Kolekcijas nosaukums ir atsauce uz Hom\u0113ra eposa \u2018\u2019Ili\u0101da\u2019\u2019 otru da\u013cu. Hom\u0113ra darvotie ku\u0123i bija melni, un melnas joproj\u0101m ir Ven\u0113cijas gondolas. Koku papildina sarkans organiskais stikls un zili akvamar\u012bni \u2014 viens no izteiksm\u012bg\u0101kajiem un dizaineres m\u012b\u013c\u0101kajiem kr\u0101su kontrastiem, ko var paman\u012bt Ven\u0113cijas laivu rega\u0161u laik\u0101. \u0160\u012b kolekcija sav\u0101 zi\u0146\u0101 ir simbolisks Ven\u0113cijas sveiciens “Zieme\u013cu Ven\u0113cijai” \u2014 Sanktp\u0113terburgai, jo dizaineres \u0123eogr\u0101fisk\u0101 p\u0101rvieto\u0161an\u0101s bie\u017ei ir tie\u0161i uz ass starp \u0161\u012bm div\u0101m pils\u0113t\u0101m. Un v\u0113l,\u00a0t\u0101 ir turpin\u0101jums \u016bdens un kust\u012bbas t\u0113mas izp\u0113tei, \u0161oreiz ar koka pal\u012bdz\u012bbu.<\/p>\n

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BIBLIOTECA VENEZIANA, 2020<\/strong><\/p>\n

\"\"<\/a><\/p>\n

Izst\u0101de ar nosaukumu BIBLIOTECA VENEZIANA tika prezent\u0113ta 2020. gada febru\u0101r\u012b Ven\u0113cij\u0101. Izst\u0101de tika veidota k\u0101 instal\u0101cija ar divdesmit lidojo\u0161\u0101m vai paisuma pl\u016bdos peldo\u0161\u0101m gr\u0101mat\u0101m, kas simboliz\u0113 \u0161o \u2018\u2019Ven\u0113cijas bibliot\u0113ku\u2019\u2019. T\u0101s saturs ir rotas ar liter\u0101riem cit\u0101tiem, kas velt\u012bti \u0161ai \u012bpa\u0161ajai pils\u0113tai. Rotu kolekcijas tap\u0161an\u0101 ir izmantots sudrabs un vair\u0101kas klasiskas tehnikas, ka ar\u012b fotokeramika ar arhitekt\u016bras mot\u012bviem, bet galvenie akcenti ir sarkana organisk\u0101 stikla elementi ar iegrav\u0113tiem divdesmit autoru cit\u0101tiem. Autoru starp\u0101 ir Marsels Prusts, Ivans Bu\u0146ins, Pols Mor\u0101ns, Nikolajs Gumi\u013covs, Tomass Manns, Josifs Brodskis, D\u017eord\u017es Gordons Bairons, Horhe Luiss Borhess un citi. Vi\u0146us vieno m\u012blest\u012bba, p\u0101rsteigums, apbr\u012bna un pateic\u012bba \u0161ai ma\u0123iskajai vietai, ko saucam par Ven\u0113ciju.<\/p>\n

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EPISTULAE, 2019<\/strong><\/p>\n

\"verba-epistulae-ovid-adria-topaz\"<\/a><\/p>\n

Kolekcijas pamat\u0101 ir iespaidi, kas radu\u0161ies lasot romie\u0161u dzejnieka Ov\u012bdija “V\u0113stules no Ponta” un “Skumj\u0101s el\u0113\u0123ijas”, ko vi\u0146\u0161 sarakst\u012bjis atrodoties izs\u016bt\u012bjum\u0101. M\u016bsu \u0113ras pirmajos gados, vi\u0146\u0161 dzejnieks tika nos\u016bt\u012bts trimd\u0101 uz Tomis pils\u0113tu pie Meln\u0101s j\u016bras (m\u016bsdienu Konstancu Rum\u0101nij\u0101) , kur vi\u0146\u0161 ar\u012b beidza savu dz\u012bvi. Visas Ov\u012bdija s\u0101pes, zaud\u0113jumi un netaisn\u012bguma saj\u016bta iemiesota vi\u0146a p\u0113d\u0113j\u0101s po\u0113m\u0101s. Bet vienlaic\u012bgi taj\u0101s redzam ar\u012b gara sp\u0113ku, \u00a0gatav\u012bbu c\u012bn\u012bties ar naid\u012bgo apk\u0101rtni, cer\u012bbu uz atbr\u012bvo\u0161anos un iek\u0161\u0113jo br\u012bv\u012bbu un p\u0101rliec\u012bbu par to, ka dzej\u0101 iemiesot\u0101s s\u0101pes paliks v\u0113stur\u0113 un dzej\u0101 m\u016b\u017e\u012bgi. Un taj\u0101 ir milz\u012bga v\u0113rt\u012bba un uzvara.<\/p>\n

Kaklarotu kolekcija no caursp\u012bd\u012bgiem un gandr\u012bz neapstr\u0101d\u0101tiem top\u0101ziem, akvamar\u012bniem un kvarciem, kuros iegrav\u0113ta Ov\u012bdija dzeja, tika rad\u012bta \u012bpa\u0161i instal\u0101cijai Nacion\u0101laj\u0101 arheolo\u0123iskaj\u0101 muzej\u0101 Adrij\u0101 (It\u0101lij\u0101) 2019. gad\u0101. Tur t\u0101 tika ekspon\u0113ta kop\u0101 ar seno romie\u0161u stikla traukiem, kas dat\u0113ti ar m\u016bsu \u0113ras pirmo gadsimtu. Katrai rotai tika izv\u0113l\u0113ts atbilsto\u0161s trauks, tas sasaucas ar trad\u012bciju nos\u016bt\u012bt v\u0113stules stikla pudel\u0113s pa j\u016bru n\u0101kamaj\u0101m paaudz\u0113m.<\/p>\n

Caursp\u012bd\u012bg\u0101s kaklarotas ir k\u0101 sastingu\u0161i bargu stihiju \u016bde\u0146i, caur kuriem dzejnieks, risk\u0113jot ar savu dz\u012bv\u012bbu, tika l\u012bdz trimdas galapunktam, vai k\u0101 ledus gabali, kas p\u0101rsteidz Ov\u012bdiju zieme\u013cos, vai k\u0101 sastingu\u0161as asaras, kas p\u0101rv\u0113rstas par po\u0113m\u0101m. T\u0101 ir saruna par trausl\u0101 un stipr\u0101, pl\u016bsto\u0161\u0101 un nekust\u012bg\u0101, m\u016b\u017e\u012bg\u0101 un p\u0101rejo\u0161\u0101 p\u0101rv\u0113rt\u012bb\u0101m.<\/p>\n

Ov\u012bdija atkl\u0101smes sasniedz m\u016bs cauri gadsimtiem, t\u0101s dod mums mierin\u0101jumu un cer\u012bbu. M\u0113s saprotam, ka neesam vieni sav\u0101 vientul\u012bb\u0101, m\u016bsu s\u0101pes nav nekas jauns, ta\u010du m\u0101ksla ir t\u0101s z\u0101les, kas vienm\u0113r dzied\u0113 pasaules br\u016bces un saglab\u0101 trausl\u0101s civiliz\u0101cijas v\u0113rt\u012bbas cauri laikiem.<\/p>\n

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SAKURA, 2019<\/strong><\/p>\n

\"sakura-collection-verba-rose-quartz\"<\/a><\/p>\n

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\u4e07\u91cc\u540c\u98a8 “t\u016bksto\u0161 j\u016bd\u017eu viens v\u0113j\u0161\u2019’ (miera metafora). Kolekcija SAKURA velt\u012bta Jap\u0101n\u0101 ik pavasari ziedo\u0161ajiem sakuras kokiem. Katrs \u0161\u012bs kolekcijas gredzens ir k\u0101 ziedlapa v\u0113j\u0101, kas nes v\u0113st\u012bjumu lat\u012b\u0146u, sengrie\u0137u\u00a0vai jap\u0101\u0146u valod\u0101 un, glu\u017ei k\u0101 senaj\u0101 jap\u0101\u0146u miera un harmonijas metafor\u0101\u00a0\u4e07\u91cc\u540c\u98a8 “t\u016bksto\u0161 j\u016bd\u017eu viens v\u0113j\u0161”, apvieno da\u017e\u0101das kult\u016bras un laikmetus!<\/p>\n

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\u03bd\u03b5\u1ff6\u03bd \u03ba\u03b1\u03c4\u03ac\u03bb\u03bf\u03b3\u03bf\u03c2* (\u201cThe Catalogue of Ships\u201d sengrie\u0137u valod\u0101),<\/strong> 2016\/2017<\/strong><\/p>\n

\"greek-elektrum-verba-rings\"<\/a><\/p>\n

Every ring as it were ship, that could float away together with you or stay on your finger as a great friend, struggling against the waves of daily worries and aspirations. Each ring is branded with its own \u201ewatermark\u201d \u2013 a phrase in Greek, quotation or just with some words on simple and proper things for all times \u2013 fair wind, strong canvas, courage, love and joy. That\u2019s what we are always full of after visiting the seaside, trying to keep this feeling long after being back from the journey, and this is how we could steal a page from Ancient Greek\u2019s book.<\/p>\n

These inscriptions in Greek are made with micro-chase technology, as mostly marine stones are used in this collection \u2013 aquamarines, as well as heliodors, chrystolites and quartzes.<\/p>\n

The marine theme additionally described with handmade glasse, made by special order using blow technique, furnished with sending ups on the language of Ancient Greeks.<\/p>\n

Since Anna Fanigina created VERBA jewellery brand, her claim to fame and essential became inscriptions in Latin. As soon as the history of this brand is more than ten years now, the long-desired Greek collection has come, so let it be the only start of exciting journey.<\/p>\n

* \u201cThe Catalogue of Ships\u201d is an epic list from Homer’s Iliad Book two (\u201csong\u201d).<\/p>\n

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L’AMOUR DE L’IMPOSSIBLE, 2012<\/b><\/p>\n

\"brooch-bro\u0161a-anna-fanigina-balet\"<\/a><\/b><\/p>\n

\u201cM\u012blest\u012bba pret neiesp\u0113jamo\u201d – t\u0101 ir instal\u0101cija ar 38 sudraba bro\u0161\u0101m, ko rad\u012bjusi Latvijas rotu dizainere Anna Fanigina. Taj\u0101s tiek izmantotas fotogr\u0101fijas, d\u0101rgakme\u0146i, vint\u0101\u017eas stikli un veclaic\u012bgas bi\u017eut\u0113rijas fragmentu jaunie iemiesojumi – sava veida cit\u0101ti, kas rada saikni ar pag\u0101tnes est\u0113tiku. T\u0101s ir ar\u012b 5 lielform\u0101ta melnbaltas fotogr\u0101fijas, ko jauniestud\u0113juma m\u0113\u0123in\u0101jumu proces\u0101 fotograf\u0113jis Krievijas Valsts Ermit\u0101\u017eas fotogr\u0101fs-m\u0101kslinieks, Jurijs Molodkovecs (\u042e\u0440\u0438\u0439 \u041c\u043e\u043b\u043e\u0434\u043a\u043e\u0432\u0435\u0446). T\u0101s veidotas \u012bpa\u0161\u0101 tehnik\u0101, kur savienojas impuls\u012bva gaisma, gara kadra ekspoz\u012bcija un sp\u0113le ar pietuvin\u0101juma mai\u0146u un kameras kust\u012bbu.<\/p>\n

Sav\u0101 rotu kolekcij\u0101 \u201cL\u2019amour de l\u2019impossible\u201d (latv.val. – m\u012blest\u012bba pret neiesp\u0113jamo) es turpinu p\u0113t\u012bt bro\u0161u t\u0113mu. Manupr\u0101t, bro\u0161a ir \u012bpa\u0161a rota, kam ir ties\u012bbas \u2018\u2019uz ielau\u0161anos\u201d m\u016bsu person\u012bgaj\u0101 telp\u0101. T\u0101 simboliz\u0113 spilgtu un dv\u0113seli caurduro\u0161u iespaidu.<\/p>\n

\u0160oreiz \u0161\u012bs saasin\u0101t\u0101s saj\u016btas un vienreiz\u0113jie p\u0101rdz\u012bvojumi, ko mums d\u0101v\u0101 balets, nep\u0101rtraukti papla\u0161inot iesp\u0113jam\u0101 robe\u017eas, rada v\u0113lmi \u201cpiespraust tos pie sirds\u201d un aiznest sev l\u012bdzi, saglab\u0101t uz ilgu laiku, dal\u012bties ar citiem un iedvesmoties neiesp\u0113jamajam. \u201cM\u012blest\u012bba pret neiesp\u0113jamo\u201d ir sp\u0113ks, kas \u013cauj nere\u0101lajam k\u013c\u016bt par re\u0101lo.<\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t

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OMNIA MUTANTUR, NIHIL INTERIT (“Viss main\u0101s, nekas nepaz\u016bd” lat\u012b\u0146u valod\u0101), 2009<\/b><\/p>\n

\"brooch-brosa-omnia-anna-fanigina-piazza-san-marco\"<\/a><\/b><\/p>\n

Sharp\u00a0transformations \u2013\u00a0this is the main motif of the collection on transformations of things and feelings in the course of time. The collection of silver brooches with golden needles is displayed at the exhibition. Brooch as a symbol of lively soul impression, as a secret sensation attached to the heart, as a moment transformed into treasure.<\/p>\n

The collection comprises old photos and reproductions of old decorations created anew. Jewels are displayed next to scratched glass taken from grandmother\u2019s\u00a0brooches or found at Murano beach, each of unique value \u2013 natural or acquired. Silhouettes of people, ships, pigeons, old and new, expensive and cheap \u2013 everything is combined into single glancing changeable flow.<\/p>\n

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NATI IN VENEZIA (“Dzimis Ven\u0113cij\u0101” it\u0101\u013cu valod\u0101), 2003<\/b><\/p>\n

\"27_8nati-in-venezia-brooch-5-anna-fanigina-1024x682\"<\/a><\/p>\n\n\t\t<\/div> \n\t<\/div> \n\t\t<\/div> \n\t<\/div> \n<\/div>\n","protected":false},"excerpt":{"rendered":"DIENASGR\u0100MATA\/DIARY, 2021 Latvijas Rotu biedr\u012bbas izst\u0101de \"Dienasgr\u0101mata\", kurai z\u012bmola VERBA dizainere Anna Fanigina ir rad\u012bjusi \u012bpa\u0161u gredzenu kolekciju CAPRE DIEM (lat. \"\u0137er dienu\"). Pati m\u0101ksliniece st\u0101sta: \u201cPar manas \"dienasgr\u0101matas\" varo\u0146iem ir k\u013cuvu\u0161i putni, tos v\u0113roju no dz\u012bvok\u013ca loga katru dienu, pierakstu, ja atlido k\u0101ds \u012bpa\u0161s, l\u012bdz \u0161im neredz\u0113ts putns. Man\u0101 sarakst\u0101 ir jau gandr\u012bz 30 [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false},"aioseo_notices":[],"jetpack_shortlink":"https:\/\/wp.me\/P41l5H-1KM","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages\/6744"}],"collection":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/comments?post=6744"}],"version-history":[{"count":26,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages\/6744\/revisions"}],"predecessor-version":[{"id":9236,"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/pages\/6744\/revisions\/9236"}],"wp:attachment":[{"href":"https:\/\/www.verba.lv\/lv\/wp-json\/wp\/v2\/media?parent=6744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}